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Essays by interdisciplinary artist Lee James Broadwood. ESSAYS [Essay:] The Fairytale Wolf and Its Significations Essays [Essay:] Rearticulating the Distinction Between Theatre and Performance. My Personal Definitions. Critical Writings: Live Performance You may also be interested in… Critical Writings on Film Critical Writings on Live Performance Performance Analyses

The Performance Critic: combining critical theory and performance analysis to provide technical reviews for London’s live artists. Interdisciplinary artist Lee James Broadwood works as a theatre critic and live performance mentor, offering free, detailed performance analyses to artists in London, UK. The Live Performance Mentor Providing support, guidance and advice to theatremakers and live performance artists in the UK and around the globe Performance Analyses Critical Writings Back to Main Page FAQs Contact Welcome to The Live Performance Mentor ! My name is Lee James Broadwood, and I am a London-based interdisciplinary artist and live performance mentor. I have been working as a theatre critic for six years now, providing technical analyses by request to theatre and performance artists in London, UK, and privately across the globe. I am grateful to be able to share publicly through The Live Performance Mentor some of the work I do whilst providing my services as a live performance mentor, in exchange for supporting those who are unable to purchase private analyses or those who are new to and trialling my work. Contrary to commercial reviews, which are released with the aim of publicising or marketing performances, the performance analyses I provide offer professional, in-depth feedback, dramaturgical and evaluative in nature. They consider all aspects of a performance and evaluate their respective and combined articulacy, efficacy, originality, accuracy and integrity. These aspects include but are not limited to: acting; choreography; writing; direction; design; effects; underlying historical, sociopolitical and cultural content; and overall performance style and subtext. I welcome performance analysis requests from any artists from all over the world for any performance type, regardless of its genre, style or stage of development. To find out more about my services as a live performance mentor, please click here . For more information on private performance analyses, please click here . And to request a technical analysis of your performance, please click here . I am ever grateful for those who share their work with me and allow me to develop as an artist myself. Thank you. Performance Analyses Below, you will find all of the public analyses that I have published to date for free as part of my service as a live performance mentor . To return to The Live Performance Mentor's main site, please click here . [Performance Analysis:] MAN IN THE MIRROR, Golders Green Hippodrome, London. [Performance Analysis:] BEFORE I DIE, The Cavendish Arms, London. [Performance Analysis:] STALLED: THE MUSICAL, The King's Head Theatre, London. [Performance Analysis:] BODY OR SOUL, Omnibus Theatre, London. [Performance Analysis:] SEX CHAT GRANNY, Etcetera Theatre, London. [Performance Analysis:] FUNNY GUY, Barons Court Theatre, London. [Performance Analysis:] THE CLOSURE AND THE QUEST, Barons Court Theatre, London. [Performance Analysis:] DR DOLITTLE KILLS A MAN, London Hospital Tavern, London. [Performance Analysis:] STILL LIFE WITH ONIONS, Barons Court Theatre, London. [Performance Analysis:] FRANK’S CLOSET, Union Theatre, London. [Performance Analysis:] MARRY ME A LITTLE, Stage Door Theatre, London. [Performance Analysis:] A CARAVAN NAMED DESIRE, Camden People's Theatre, London. 1 2 3 4 5 RETURN TO MAIN SERVICES

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